How to overcome your fear of painting, is a series of 20 pictures that have all been subject to a different operation. I approached painting with my own means calling them 'flat sculptures'. Literally, the statue has lost one of its dimensions, only to recover its depth in the potential permutations of its bi-dimentional cluster.
An analogy akin to the phrase Luis Cardoza y Aragón used in Pintura contemporánea de México(1950) to describe art criticism: '...the Venus de Milo holding the head of the Victory of Samothrace in her hands'.
Images courtesy of Labor Gallery